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Aaran Art Gallery Jan 2016 Morteza Pourhosseini Quandary 01
Tehran

میان گاه 

مرتضی پورحسینی با به کارگیری توان چشم گیر تکنیکی، پلی میان شیوه های هنری گذشته و امروز بنا می کند. هنرمند دقت و تمرکز خود را به نمایش می گذارد و با پرداختن واقع گرایانه به جزئیات، به رمز و لغز نهان پشت تصویر اشاره می کند. هنرمند از ثبت احساسات دوری می کند ولی تنش و لغزندگی در این پرتره های لازمان مشهود است. به طور اخص دستها که با قرار گرفتن در کنار اشیاء خاص، اضطرابی را که بخشی از سختی و ستبری فرم پرتره ها هستند را افشا می کنند. ترکیب جسورانه عناصر تاریخ هنر در نقاشی ها، تاکیدی بر محتوا هستند و تردید و تفکر نقادانه را مطرح می کنند. مفهوم روایتی این آثار اشاره به انسان گرائی و عاملیت انسان دارد. بیم و هراس زندگی در این پرتره ها به نمایش درآمده و با وجود اینکه هنرمند سوالهائی که در طی قرون متمادی مطرح بوده را به تصویر می کشد ولی از دادن پاسخ شخصی خودداری می نمای

در مواجهه با واقعتیهای جهان نظیر خشونت، مسئله غامض این یا آن، به پیچیدگی زمانی است که هابیل و قابیل در این جهان بودند. اثبات اینکه فرضیه و یا ایده ای صحیح یا غلط است شاید امکان پذیر نباشد. پاسخ به سوال ازلی این که چگونه باید زیست، امروز همانقدر غیرقابل دسترس است که در تمامی این قرنها بوده. منطق نشان می دهد که هیچ چیزی کاملا" قابل درک نیست ولی احساسات و غریزه های انسانی اغفال کننده هستند. آنچه که مسلم به نظر می رسد این است که انسان محکوم به آزادی ست و بار شک و تردید و یا همان سنگینی انتخاب را به دوش می کشد و در این میان نهایتا" مسئول تمامی انتخابهای خود میباشد.

Quandary 

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By applying his significant technical skills, Morteza Pourhosseini, builds a bridge between artistic practices of the present to those of the past. His paintings are realistically detailed and signal his precision and focus. He captures details to hint at the mysteries behind the image. While he is inclined to stay away from registering emotions, the underlying strain and volatility are evident in each of these timeless portraits; particularly the hands that in proximity of various objects betray the tensions that are part of the rigidity of the poses. Elements of history of art are boldly incorporated in the paintings to emphasize the content and advocate skepticism and critical thinking. The narrative concept points to humanism and agency of human beings. The existential angst is evident in these portraits and while artist unfolds age old questions, he refrains from answering them. 

Confronted with the realities of the world, such as violence, the dilemma of Either/Or is as complex as it was when Kane and Abel walked the earth. To prove that a suggestion or an idea is true or false is very often not attainable. The answer to the perpetual question of how we should live is a unfathomable as it was centuries ago. Logic indicates that nothing can be known for certain but senses are easily fooled and reason is outwitted by human desires. What is known for sure is that human beings are condemned to be free, to carry the dilemma of uncertainty or in other words the burden of choice, and are ultimately responsible for everything they do. 

Born in 1985 in city of Ahwaz, Morteza Pourhosseini studied painting at Shahed Art university in Tehran. His work has been acquired by the Metropolitan Museum of art for their permanent collection in 2014. His third solo show titled “The Circus” was held at Bohemian National Hall in New York in the same year and he has participated in various group exhibitions in Iran and abroad. 

نمایشگاه آثار " مرتضی پور حسینی " با عنوان " میان گاه " دی 1394 گالری آران

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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